‘Psych Fuck’ by Singapore Sling, buy it, love it, the end…

Listen, feel, assimilate, emote, sensate…

As a kid, I would have sat with the dictionary for hours, chasing “meanings”, following roots, finding nothing, repeatedly exposing words as empty vessels, crude, devoid approximations, blunt communicative tools, pregnant inadequacies…

“I want my own stuff, my own rhythm, and vowels and consonants too, matching the rhythm and all my own.” – Dada Manifesto, Hugo Ball 1916.

Thus “Foronicity” was born…

Image Credit – Christopher Flack

Documenta was, “Started as a one one off project but slowly expanded like a bad disorganized universe, Documenta will produce 18 original songs plus a few covers then finish…..
“three chords good, two chords better, one chord best”…”

I had first heard about Joe Greene and his Documenta “Drome Pop”, through the good graces of François Sky. François has a refreshingly, no-nonsense approach to suffering fools gladly, as a rule his barometer is usually right on the money. Joe has proved no exception to this rule.

Around the same time, I encountered the intriguing video for the track ‘Idle Hands‘ – this transformed Documenta from a whisper into a bona fide, must see proposition.

I was then delighted to find that Documenta would be appearing at this year’s Distorted Perspectives Festival in Letterkenny, headlined by San Francisco “repeat-o rockers”, Moon Duo – “placing Donegal in an international context rather than on the periphery”.

Het Droste Effect is, “Two guys rocking out in a studio and blending whatever sounds they like at any given moment in time.”

I first chanced upon Het Droste Effect, with the announcement of their ‘Random X Maybe’ track, commissioned for Eindhoven Psych Lab in 2014. A delightfully idiosyncratic collaboration, with Glen Peeters from Radar Men From The Moon.

I immediately added a copy of the creatively packaged, vinyl compilation of their earlier ‘Het Droste Effect’ / ‘Lingerland’ MP3 releases to my collection, such was my infatuation with their gritty, transportive sound. A sound which was further cemented with last year’s ethereally sublime, ‘We Are All Hallucinating’.

‘Soar’ is the latest release from this Eindhoven dynamic duo. Here their self-referential, fractal geometry paints a slightly sparser picture, yet remains gliding on thermal currents and solar winds…

“The band name? Its literally named after a nail bar in Hackney”.

Perhaps echoing the vein of PiL’s ‘This Is Not A Love Song’, USA Nails contend, “We are not a nail bar. We are a band.”

USA Nails are, Steven Hodson – Guitar & Vocals, Matt Reid – Drums, Gareth Thomas – Guitar and Daniel Holloway – Bass.

Following last years universally acclaimed debut, ‘Sonic Moist‘, new album ‘No Pleasure’, renews the quick bitten infected scab, a pun-gent Stooges inflection…

Only 10 more sleeps to go, only 10 more sleeps to go, only 10 more sleeps to go…

My 3rd and final teaser for the historic, mould-breaking Fuzz Club Festival at London Fields Brewhouse on the 13th & 14th of November, featuring THE KVB, CAMERA, THE TELESCOPES, 10,000 RUSSOS, NEW CANDYS, THROW DOWN BONES, THE MYRRORS , LOLA COLT , SONIC JESUS, MUGSTAR, THE CULT OF DOM KELLER, RADAR MEN FROM THE MOON, THE JANITORS, THE ORANGE REVIVAL, DEAD RABBITS, I hereby present the remaining five bands on this most illustrious of billings.

Of this concluding brood of acts, I have been humbled by the sensory overloading delectation, of all in the flesh bar The Orange Revival, whose recent ‘Futurecent‘ LP had me flapping at the prospect of beholding their live performance. ( In fairness to both The Cult Of Dom Keller and Dead Rabbits, my exposure to their delights were all too fleetingly brief at Eindhoven Psych Lab, and will be remedied in London).